Ilford’s FP4+ is the newest version of its excellent, medium speed, cubit grain, panchromatic black & white stock. The first FP4 appeared 10 years before I was born, and the Plus version appeared in 1990. I shot my first roll of it back in 2015, and over the past year and a bit, I’ve taken part in 5 iterations of Emulsive’s FP4 Party, and expect to do so again next month (and next year, if it’s still going), so it’s something of a mainstay for me. I vastly prefer it to Delta 100 and TMAX 100: they’re too clean, what with their T-Grain emulsions. And FP4 is somewhat superior to its slightly cheaper stable-mate, Kentmere 100. It’s really a great film. Continue reading “It’s an FP4+ Party! (and brief review)”
Results from the Kentmere 100 were a bit disappointing, with blown highlights and clumpy grain. Both, of course, possibly the result of the 24℃ temperature or some other development issue. I followed times and temperatures included on the box for the FP4 Plus, though, so let’s take a look and see how it held up. Continue reading “Harmon Films: Ilford FP4 Plus (1)”
As mentioned previously, I’ve embarked down the dangerous road* of home processing Black & White film and am checking out some of the (less expensive) Harmon films.
First up, the Kentmere 100.
And apologies for the delay! Eid al Adha came again, Alhamdulillah (and may Allah azza wa jall accept our fasts, sacrifices, and duas), and Hipstamatic 300 appeared, so this got delayed a bit. Continue reading “Harmon films: Kentmere 100 (1)”
After the disappointing dinner and visit to the closed mosque, Hana and I took our time waking up.
Sunrise over downtown Springfield made for some kinda nice pictures, maybe.
So I took advantage and shot with almost everything I had. Above, the D7000 and 24mm f/2.8 ai, with a circular polarizer that I didn’t really know what to do with on the front.
Here, the iPhone 5 and Hipstamatic, with Jane lens and GS-0 film.
And here, the FG and 50mm 1.8 E Series and Kenmore 100 film.