This Kodak Brownie Reflex Synchro came to me in a basket full of Brownies, courtesy of a generous coworker. Actually, this Brownie Reflex Synchro came in two parts, or, rather, it took two Brownie Reflex Synchros from that basket to make one functional one, but it was easy to work on. In fact, I did all the repairs/exchanges with a small Swiss Army knife with the slot screwdriver bit on it… Continue reading “Enter the Kodak Brownie Reflex Synchro”
The Ricoh 500 GX was the last of the Ricoh 500 series to be made in Japan. It’s pretty much a 500 G, with the addition of a multiple exposure switch, battery check button, shutter lock, and little flags that indicate when loaded film and a cocked shutter. In theory, it’s the best of the whole line, and I had high hopes for it.
How did this spur-of-the-moment acquisition work out for me? Read on… Continue reading “1970s Ricoh Compacts, part 5 – the Ricoh 500 GX”
Back in late June, with only days remaining before my employer closed the local office, thrusting all of us into work-from-home status, a coworker and a former boss cleaned the cameras out of their closets and brought them to me. From the former boss, a Casio Exilim S20 (2 megapixel, fixed lens digital camera from 2003) and an Olympus Infinity II (reviews in progress/forthcoming); from the coworker, a huge basket full of her Dad’s Brownies!
The Sears 35|RF (not to be confused with the Sears 35rf) is a black only, Sears-branded clone of the Ricoh 500 G. This is the camera that started it all, it being the superlative 40mm f/2.8 Rikenon. Continue reading “1970s Ricoh Compacts, part 4: the Sears 35|RF”
Dear God, stop me before I buy another 90s point and shoot.
Sure, I know many people find excellent, amazing, unbelievably stupendous cameras for half of nothing at various thrift stores, but I don’t,* and the Minolta Freedom Action Zoom 90 (aka the Freedom Zoom Traveler, Riva Zoom 90, and Freedom Zoom 90) is no Nikon One Touch 100.