‘No Constructive Conclusions’ collects work shot around Katowice, Poland, and the Silesian Metropolis by Wojtek Mszyca, Pavel Pětroš, and Ian Barnaby Nutt. After meeting on Flickr, Wojtek invited the others to visit him in Poland and shoot around his hometown. Pavel and Barnaby went at different times, and later, the three put their photographs together and exhibited the project at venues in Poland and the Czech Republic in 2017. Barnaby produced this limited zine to advertise the exhibition, and as a keepsake, and I was lucky enough to wind up with a copy. Win! Continue reading “Unboxing ‘No Constructive Conclusions’”
the highest chalk sea cliff in Britain, rising to 162 meters (531 ft) above sea level. The peak allows views of the south east coast from Dungeness in the east, to Selsey Bill in the west. It’s height has also made it one of the most notorious suicide spots in the world.
With that sort of intro, these beautiful landscape photographs take on an ominous, haunted feel. Together, they feel like a sort of elegy.
I spotted this pretty little camera in the back of the jewelry case at my local Goodwill a month or so ago, hemmed and hawed for about 10 minutes, bought it, ran 3 rolls through it, then packed it up and sent it off to my EmulsiveSanta recipient last week. It’s not a bad camera at all, after all, it was one of Canon’s last compact film cameras, and by 2003 they surely knew what they were doing with auto-everything, point-and-shoot cameras, but I sent a camera in last year’s EmulsiveSanta thing (the Pentax Espio 35-70), so I felt obligated to send one this year too, and this little Canon Sure Shot 115u was the best camera I had that I felt comfortable gifting, so I said goodbye and off it went. Continue reading “Ah, Canon Sure Shot 115u, I hardly knew ya”
Arimoto Shinya’s ariphoto series (and zines) documents his encounters with Tokyo wildlife: grinning elderly men with missing teeth; punks, goths, and heshers; hippy bikers; dog walkers; cosplay girls; homeless; I could go on. The tagline on his website sorta says it all: “TOKYO, SEEN BY MY EYES, IS AN ECOSYSTEM WITH MAGNIFICENT CIRCULATION.” I was excited to get in on an honest to goodness Japanese photo zine, and now that I have it in my hands, well… Continue reading “Unboxing ‘ariphoto selection vol. 8’”
Nothing Ever Happens 1 and 2 are small, one-page zines from Nathan Pearce‘s series of the same name, and currently available from Halfmoon Projects. I don’t know about you, but if guns, keggers, 2 dbl cheeseburgers for $3.99 at Donnie & Connie’s Burger Haven, brush fires, grinning dogs, and velvet paintings of Jesus, peace be upon him, are part of the “nothing” that ever happens, I’d be interested to see what “something” looked like…
I’d seen Lomography’s ActionSampler camera before, but was never particularly tempted by it. Then I got Nathan Pearce‘s set of zines and saw the interesting work he does with it, so I started looking. After a little bit of hunting and hesitating, I found a brand new, second version, mislabeled as the “Cyber Sampler” for less than 1/3 of the retail price, so I jumped on it. Continue reading “Enter the ActionSampler”
After three decades as a photojournalist, covering presidential races and other newsworthy events for UPI, Time, and Newsweek, Arthur Grace followed up on a feeling he had and spent a couple of years visiting State Fairs in California, Colorado, Florida, Indiana, Kansas, Minnesota, North Carolina, Ohio, Texas, and Virginia, mostly in 2003 and 2004. If anything, the result captures just how similar we all are… Continue reading “Unwrapping ‘State Fair’”