Enter the Lomo’Instant Square

I don’t know why I jumped on the Lomo’Instant Square Kickstarter. Further, I don’t know why I went for the gorgeous Ginza Edition, with it’s orangey-brown leatherette and off-white plastic body. Sure, it’s pretty, but it was quite a bit more than the white, black, or Kickstarter editions. I do know why I splurged for the …

Alex Webb – ‘The Suffering of Light’

‘The Suffering of Light: thirty years of photographs’ presents a sort of timeline of Alex Webb’s work from 1979 to 2009, in all their hyper, headache-inducing, overly-crowded excellence. I picked it up after reading a brief interview with Webb, or a quote or something, that suggested he was particularly proud of this monograph, and when …

‘Family Photography Now’

Family Photography Now (Thames & Hudson, 2016) is a sort of follow-up to Sophie Howarth and Stephen McLaren’s Street Photography Now of 2010. Instead of an international (and somewhat historical) selection of street photographers, organized by general thematic concerns, the focus is now on photographers who work with families, both their own and others.

Fuji Superia X-TRA 400, an appreciation

With Fuji(not)Film’s continued, and continual, discontinuing of various great film stocks, it may seem odd to sing its praises, but they really do/did make some great film. Even the cheap consumer stuff is really quite good, and very versatile. I’ve overexposed it by 5-10 stops, developed it too hot, too cold, too long, and in …

Ansco Super Hypan, redux

A couple of years back, Compania Imago made some 3d printed film canisters, and I ordered up 10 rolls, partly to support them, but mostly to get some reloadable film canisters.* I shot through most all of that film within 6 or 8 months, but I saved one roll of 1964 expired Ansco Super Hypan. …