Family Photography Now (Thames & Hudson, 2016) is a sort of follow-up to Sophie Howarth and Stephen McLaren’s Street Photography Now of 2010. Instead of an international (and somewhat historical) selection of street photographers, organized by general thematic concerns, the focus is now on photographers who work with families, both their own and others.
Category Archives: Reviews
Fuji Superia X-TRA 400, an appreciation
With Fuji(not)Film’s continued, and continual, discontinuing of various great film stocks, it may seem odd to sing its praises, but they really do/did make some great film. Even the cheap consumer stuff is really quite good, and very versatile. I’ve overexposed it by 5-10 stops, developed it too hot, too cold, too long, and in …
Unboxing ‘All Over Now’
Caleb Jenkins makes zines. He seemingly cranks them out, one after another, and he prints and binds every one himself, and shares his process and thoughts on his Instagram. He also runs a branding and advertising agency, but this is about his beautiful little zines, in particular, ‘All Over Now.’
Unboxing “You might be right.”
Kevin O’Meara has a new zine out… ‘You might be right.‘ weaves together instant photographs with snippets of conversation, and it feels like a narrative I lived through, more or less.
Ansco Super Hypan, redux
A couple of years back, Compania Imago made some 3d printed film canisters, and I ordered up 10 rolls, partly to support them, but mostly to get some reloadable film canisters.* I shot through most all of that film within 6 or 8 months, but I saved one roll of 1964 expired Ansco Super Hypan. …
Unboxing ‘Nothing Personal’
‘Nothing Personal’ is a largely unflinching portrait of mid-Century America, strangely re-released by Taschen at this time of American Greatness, and we’re really, very, very, really Great, where we’re all, really very united—it’s stupendous, really. The photographs of our heroes, they’re really, really great, really, and those other people in there, we love them, really. …
Unboxing some Natalie Blom zines
Natalie Blom’s ‘Return’ and ‘The Shattered Horizon,’ are collections of beautiful, lo-fi, sub- ex- and urban landscapes, exploring her hometown and places she visits with an eye toward experimentation. The results are beautiful and inspirational.
