Unboxing ‘Fabryka’

Barnaby Nutt is on a roll… first there was ‘No Constructive Conclusions’ with Wojtek and Pavel, then ‘Nighttime Adventures in Neopan’ with Smith, and just barely 2 months into 2018, here he is with ‘Fabryka,’ a solo zine of industrial estates in various stages of abandonment, the decaying factory towns that support(ed) them, and the …

Unboxing ‘Nighttime Adventures in Neopan’

Dan Smith and Barnaby Nutt like the nighttime, the way street lights pool and dissolve into the darkness, and their split zine ‘Nighttime Adventures in Neopan’ showcases this shared fascination. As Nutt writes, “Man’s attempts to remove the shadows and so keep at bay the imagined dangers lurking within, create a beauty that we feel excited …

Lomography Color 800 – first rolls review

Everyone needs a good, fast color stock. And with Fuji(not)Film discontinuing it’s excellent Natura 1600, it looks like we’re down to 4: Cinestill 800T, Fuji Superia X-TRA 800 (but for how long?), Kodak Portra 800, and Lomography Color 800. I’m sitting on a dozen rolls of frozen Natura, but that’s my retirement fund, so I’m …

Unboxing ‘London New York Pontycymmer’

In ‘London New York Pontycymmer… A day in the artist’s studio,” Tim Dobbs takes us on a tour of Kevin Sinnott’s home and studio. I’d call Sinnott’s painting “expressionist figurative” or “figurative expressionism,” something like that: brushy, splotchy, sketchy, a bit comical in some ways (the few in the zine, anyway: I’m not familiar with Sinnott’s …

Enter the Lomo’Instant Square

I don’t know why I jumped on the Lomo’Instant Square Kickstarter. Further, I don’t know why I went for the gorgeous Ginza Edition, with it’s orangey-brown leatherette and off-white plastic body. Sure, it’s pretty, but it was quite a bit more than the white, black, or Kickstarter editions. I do know why I splurged for the …

Unboxing ‘The Suffering of Light’

‘The Suffering of Light: thirty years of photographs’ presents a sort of timeline of Alex Webb’s work from 1979 to 2009, in all their hyper, headache-inducing, overly-crowded excellence. I picked it up after reading a brief interview with Webb, or a quote or something, that suggested he was particularly proud of this monograph, and when …