Ilford’s FP4+ is the newest version of its excellent, medium speed, cubit grain, panchromatic black & white stock. The first FP4 appeared 10 years before I was born, and the Plus version appeared in 1990. I shot my first roll of it back in 2015, and over the past year and a bit, I’ve taken part in 5 iterations of Emulsive’s FP4 Party, and expect to do so again next month (and next year, if it’s still going), so it’s something of a mainstay for me. I vastly prefer it to Delta 100 and TMAX 100: they’re too clean, what with their T-Grain emulsions. And FP4 is somewhat superior to its slightly cheaper stable-mate, Kentmere 100. It’s really a great film. Continue reading “It’s an FP4+ Party! (and brief review)”
I was impressed with the FP4 Plus the first time I shot it and I was looking forward to shooting it again. And after shooting through a roll, developing and scanning it, and processing the files into pictures, it didn’t disappoint, as long as I took the time to compose and consider the outcome. Continue reading “Harmon Films – Ilford FP4 Plus (2)”
If you recall, a couple of weeks ago, I experimented a bit with scratching the a couple of bits of paint off of the film canister to change the DX codes and fool the Espio into thinking it was shooting 320 speed film, rather than the 100 that the Kentmere was originally coded at. I didn’t have any need for 320 speed film, and in fact I had a roll of HP5+ that I could’ve shot with no problem, but after pushing the Kentmere 400 to 1600, I wondered how the 100 would do and just wanted to experiment a bit.
Well, the experiment worked! Alhamdulillah! Continue reading “Return of the Espio Returns (1): Kentmere 100 @ 320”