Back in October 2017, I was blessed to take part in one of Dan K’s generous giveaways over on Twitter. It consisted of a gift certificate to Camera Film Photo and shipping, and I picked up a bunch of black & white film that I hadn’t tried before, including 5 rolls of Rollei RPX 100 in a Japan Camera Hunter Half Case.
I shot the first three rolls rather quickly, but sat on the last two for a few months, and by April 2018, I was all out. Will I buy more? I don’t know. Maybe. It’s a nice enough film, with pleasant grain, good tonal separation and nice contrast, but it’s a bit expensive, almost double the price of Fomapan 200 and a third more than FP4+, both of which I prefer. Still, it’s a nice enough film, and I’m glad I tried it. Continue reading “Rollei RPX 100 – a review in 3 parts”
I spotted this pretty little camera in the back of the jewelry case at my local Goodwill a month or so ago, hemmed and hawed for about 10 minutes, bought it, ran 3 rolls through it, then packed it up and sent it off to my EmulsiveSanta recipient last week. It’s not a bad camera at all, after all, it was one of Canon’s last compact film cameras, and by 2003 they surely knew what they were doing with auto-everything, point-and-shoot cameras, but I sent a camera in last year’s EmulsiveSanta thing (the Pentax Espio 35-70), so I felt obligated to send one this year too, and this little Canon Sure Shot 115u was the best camera I had that I felt comfortable gifting, so I said goodbye and off it went. Continue reading “Ah, Canon Sure Shot 115u, I hardly knew ya”