tuer le Fantôme II: la rupture de neige

After my first failure with Lomography’s Fantôme Kino film, I was hesitant to try it again. Then, one day in early January 2021, after some success with the Babylon Kino, I shoved a roll into the FM3a, bolted the 35mm f/2 D on the front, and went to town… Interestingly, and rare for North Texas, …

tuer le Fantôme I: ne reste pas

When Lomography announced its Fantôme and Babylon Kino films, I hesitated at first, then went ahead and ordered 5 rolls of each. I wasn’t too excited about some slow black & white film, but I appreciate what Lomography are doing, and want to support new (and newly available thanks to repackaging) film stocks. They took …

Jonathan Levitt – ‘Echo Mask’

Editor’s note: what follows is a sort of writing exercise, undertaken in response to Janet Malcolm’s brilliant “Forty-One False Starts.” I didn’t do it justice, though I did have some fun writing it. If you want a proper, if brief, review, jump to the bottom. If you want to see me have some fun, well, …

Nathan Benn – ‘A Peculiar Paradise’

A Peculiar Paradise: Florida Photographs is exactly what it claims to be: photographs, made in Florida, by former National Geographic photographer (and one time head of Magnum) Nathan Benn. Most—if not all—of the photographs were made in two Geographic-funded trips, one in 1973, “to fill out another photographer’s coverage of the flourishing Cuban-born community centered …

Shooting Up Babylon

After a disappointing run with my first roll of Lomography Fantôme Kino (seems I only shared that on Twitter, and so I’ll rectify that next week, God willing), I shoved the other rolls of Fantôme and the rolls of the Babylon Kino to the back of the fridge. In an attempt to kickstart some photographic …