For The Color of a Flea’s Eye: The Picture Collection (2012-2020), Taryn Simon (and the Taryn Simon Studio) selected images from the New York Public Library‘s storied Picture Collection, collaged them onto large posters, and exhibited them in the library, alongside original images (recto and verso), indexes, purchase orders, acquisition and deaccession records, and the …
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I preordered Sofia Coppola’s Archive direct from Mack in mid-2023 about 12 seconds after I opened the announcement email…. As such, I received and unboxed it very close to its launch, and my goodness… the response was epic. At time of writing, the analytics are astonishing: my unboxing videos typically get about 100 views—100 views, …
Some time ago, someone left a comment on my review of Hiromix’s Girls Blue: “Have we yet reached peak photography?” I’m not entirely sure what they meant, but I took it as “have we reached peak photobook?” as a sort of critique of Hiromix’s deadpan, snapshot, diaristic style from the mid 1990s. As a massive …
Alex Harvey Cockroft, Jr., my dad, passed away in late August 2022. I haven’t written about his passing or mentioned it in social media at all: it’s a personal thing and I don’t air out my grief in public… assuming there’s any grief to air out. In cleaning out his apartment and disposing of his …
As you might expect, Mark Helfirch’s 2000 book Naked Pictures of My Ex-Girlfriends: Romance in the 70s is wholly inappropriate for a believing Muslim like myself. My excuse for buying (and continuing to own) isn’t any good, really, but I have one. And surprise, surprise, it smells as good as every other excuse.
Good 70s collects Mike Mandel’s most famous work from the 1970s, all contained in a facsimile 8×10 Agfa film box. You can still find copies for almost double what I paid a few short years ago. Is it worth it?
What is there to say about Mike Mandel and Larry Sultan’s classic, groundbreaking, and wildly influential Evidence? I don’t really know, as I haven’t read any reviews in quite awhile, so I’ll just ramble on for a bit and maybe say something new or different—and probably very, very wrong.
