Arbus Friedlander Winogrand: New Documents, 1967 is the long-awaited catalog from the (in)famous MoMA show, “New Documents” of 1967, which ushered in, or, rather, legitimized the era of straight photography, the casual snapshot of the ordinary subject, and the classic portrait of the outsider.
Category Archives: Reviews
Stephen Shore – ‘Factory: Andy Warhol’
Factory: Andy Warhol was Stephen Shore’s High School and BFA all rolled into one, more or less.
FPP 320 T: beautiful, if you can get the &%$# remjet off…
Ah, movie film… It’s great stuff, really, even expired it gives really good, predictable and repeatable results. FPP’s 320 T is some expired Kodak Vision film, helpfully loaded into 35mm cassettes by the good people at the FPP. Visionary film directors used Kodak Vision 320T for such titles as Unbreakable, the Kill Bill series, Being John Malkovich, and The …
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‘Fred Herzog: Modern Color’
Fred Herzog: Modern Color, has been sitting in my “to review” pile for nearly a year (or more?), since I jumped on a pre-order of it (if I recall). I don’t know what I’ve been waiting for… time to look more closely at it, probably, and the work deserves more time than I’ve given it. …
‘Photobook Phenomenon’
I got hip to Photobook Phenomenon many months ago, thanks to Jorg Colberg and Conscientious. It’s less a photobook than a collection of zines, featuring theoretical and historical essays, a survey of great book(cover)s from Martin Parr’s collection, and a poster, all held together in a sealed slipcase with a pull-tab that you need “Remove only …
Kodak Vision 2 100T: 1 Year, 2 Lomos, 3 Rolls
FPP-rolled, expired Kodak Vision 2 100T, is a rather grainy, motion picture stock from the good people at the FPP. Beware: it’s got remjet, but if you manage to get that gunk off, and can pull the green out of it in post (or shoot with a strong-enough orange filter over your flash (or an …
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‘Stephen Shore’
Stephen Shore is a new publication from MoMA, designed to accompany its 2017-18 Shore survey. It’s an interesting sort of exhibition catalog, and while it has examples of Shore’s work from over 6 decades, through all of his different styles formats, the arrangement of the book bothers me a bit.