Digital and Film, part 1

Back in December, I took a few days of vacation and travelled to see Mom up in Northwest Arkansas. In the days leading up to the trip, I hemmed and hawed over which camera(s) to take along, which lenses, films, what sort(s) of project(s) I might want to start/continue/pursue while there, etc., etc., etc. In …

Load Film in Subdued Light!

As far as I can tell, most commercial color negative film can be loaded under whatever lighting conditions you like: I’ve loaded Lomography Color 100 & 400, Fuji Superia XTRA, and some others under cloudless skies at high noon in August in North Texas with no problem. Sure, some of the more niche and limited …

Lunchbreak!

I’ve mentioned it a few times already, but over on my tumblog, I’m running an ongoing series of pictures taken with the iPhone, while wandering up, down and around the parking garage or the various strip malls, or down in the strange, brand new, bright and shiny soccer/cricket/lacrosse fields near the creek and wooded area …

Free-Lensing and Filthy Film

One great thing about interchangeable lens cameras is the ability to pop the lens off and hold it a bit away from the camera to add some interesting zoom-type effects or flip it around for some quick and dirty macro. Fun stuff. One horrible thing about the water in Irving is the strong variability in …

Return of the Espio Returns (2): fully automated

As mentioned previously (here, here, and here), the Pentax Espio 35-70 AF Zoom is a fully automatic camera. I’ve cursed some of its automation in those earlier articles, but if you make some peace with it, accept (and understand its limitations) and just shoot, you can make some pictures with it. In fact, I think …