I’m (mostly) a color (hack) photographer. I appreciate the fun colors of (some) expired film, of Lomography’s Purple stock, but not of Psychedelic Blues so much, and I’ve long wanted to try Tri-Chromes (or whatever it is where you take three b/w photographs with r/g/b filters on the front and combine them in the darkroom (or photoshop) to make a color image), but I’ve not yet done it.

So when I read the Jorg Colberg’s review of Pure Country, I jumped on it.

At long last, after years of following, liking, and double-tapping almost every post on Twitter and Instagram, Chicako Watanuki finally released a zine! And, guess what? It sold out in minutes and you can’t have mine!

After hearing about, and subsequently purchasing, ‘Midwest Dirt,’ I’ve been a fan of Nathan Pearce‘s work. I’ve picked up a few over the past couple of years, too many to link to, and his use of an Action Sampler-type camera for one zine continues to inspire.

So when I stumbled across a new Pearce zine, I jumped on it.

I came across Chris Neophytou‘s Tourista on Instagram one day. I’m not sure what account, maybe Out of Place Books, maybe somewhere else. I was intrigued by and interested in the format, and so ordered up a copy.

Nahea An’s Perversión subverts advertising tropes and calls attention to the sexualization and exploitation of female bodies. Sex sells, sure, but in the age of #metoo these sorts of détournement are useful and necessary reminders.