Dave Heath at Amon Carter

I visited the Amon Carter Museum of American Art in Fort Worth over the weekend to catch the Laura Wilson exhibition before it closed, and while there, I stumbled into the little alcove upstairs where they keep a rotating stock of original prints—last time I was there, they had a multiple versions of Stieglitz’s “the Horse Car Terminal” in various stages of cropping, dodging & burning—and I immediately recognized a couple of prints from Dave Heath, whose retrospective book I picked up and flipped through briefly a couple of months ago, and that I’ve been trying to read through over the past week or so.*

I don’t know how long they’ll be up, but the actual, in person, prints are spectacular. If you find yourself in Funky Town, pay the Amon Carter a visit. It’s known for its commitment to American photography, and it almost always has some great photography on display, in addition to all the Remington and Russell you could ever want to see in one place, and it’s free… Continue reading “Dave Heath at Amon Carter”

Ron Haviv – ‘The Lost Rolls’

I heard about Ron Haviv‘s The Lost Rolls in episode 3.3 of On taking Pictures, which I only started listening to very recently, and which, along with the LPV Show, I’m afraid will be the end of my moratorium on book buying…

Be strong, James!

Continue reading “Ron Haviv – ‘The Lost Rolls’”

The Clear Bag

It’s actually not a bag in the traditional sense, but one of the wrappers of a big stack of styrofoam cups that I pocketed from the office.

Don’t tell anyone.

And it’s actually the second night with the C.L.A.M., but that doesn’t really matter. No matter what night, no matter what light, I’ve had fun with the C.L.A.M. and that’s what matters. Continue reading “The Clear Bag”