I picked T J Clark’s Farewell to an Idea: Episodes from a History of Modernism on Richard Pickup’s recommendation , and after reading the first paragraphs of the Introduction, I’m glad I did. Funny, dense, serious, accessible, it’ll require some close, careful reading, an exercise of some mental and rhetorical muscles I haven’t used in awhile, …
Category Archives: Reviews
Nobuyoshi Araki – ‘Sentimental Journey 1971 – 2017 -‘
Nobuyoshi Araki is one of the more (perhaps the most) prolific photobook makers ever, with over 500 to his credit. Despite his renown, I’ve avoided his work. Every time I’ve gone looking, I’ve wound up finding Tokyo Lucky Hole or one of his other, more or less explicit/pornographic works, and I’m not too interested in exploitation. …
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Jon Wilkening – ‘Tiny Plastic Box #6’
I’m late getting this one out, but Jon Wilkening’s pinhole 365 is drawing near its end, and volume 6 of his excellent Tiny Plastic Box zine appeared in my mailbox a couple of weeks ago, and I only had a chance to unbox it over the weekend.
Nathan Pearce – ‘Midwest Dirt’ Special Zine Edition
Nathan Pearce’s Midwest Dirt, now in its third iteration, is something of a classic of contemporary photography zines. The first iteration (that I’m aware of) appeared on Burn in 2012, and Akina Books designed the beautiful first print edition in 2014. Pearce’s own Same Coin Press put out a bootleg photocopied version the next year, and Josef Cheladek has it …
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‘William Eggleston’
William Eggleston is a catalog accompanying a career retrostpective/best-of at the Fondation Cartier pour l’art contemporain. It collects in one volume, all of Eggleston’s most well known pictures up to that time, from early black & whites to the brilliantly colored dye transfer color that he’s known for. Prior to this acquisition, I had Foote, Shore, …
Dave Rothschild – ‘Solitude’
Dave Rothschild‘s ‘Solitude‘ zine is still, quiet, contemplative, a pleasant walk in the country on a weekday afternoon, when everyone else is working and the only sound is your footsteps, the birds, the leaves on the trees.
Dylan Barnes – ‘twenty seven, twenty eight’
In twenty seven, twenty eight, Dylan Barnes documents the last half of his 27th year and the first half of his 28th, a transformative period for him, like many of us. A simple introduction describes the project better than I can: These images were created between January and December of 2016, a time that encapsulates my last …
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