I became aware of Juno Calypso‘s work several years ago, back during my early, digital days even. A few of her pictures from the Joyce and The Honeymoon series are in my inspiration file for their color and suggestion of (creepy, menacing) narrative, but my interest in her work preceded my photobook obsession and I …
Continue reading “Juno Calypso – ‘What to do with a Million Years’”
Alexandra Catiere’s Behind the Glass is more of an event, than a book. It’s not something to casually flip through. In fact, you can’t casually flip through it, or if you do, you’ll miss half of the images and all of the story. It’s one of the more unique book designs I’ve seen.
Rosalind Fox Solomon is one of my favorite photographers. Her ability to move between various communities, her access to people from all manner of backgrounds, and her ability to get open, honest expressions and gestures is incredible. I have two of her previous books with Mack, THEM (2014) and Got to Go (2016), so when I heard …
After the fun I had on 120 Day, I was terribly excited about January 27 (127 Day). Sadly, I shot the last of my 3 rolls of hand-cut 127 film some months ago. What to do? Well…
Homing In is Todd Hido’s second B-Sides Box Set, featuring outtakes (and some also-rans) from his “file labelled Orphans & Misfits,” all printed on baseball card-sized cardstock and housed in an archival box.
Bright Black World is Todd Hido’s response to Climate Change and the creeping blackness in our social and political landscape. Where previous books and bodies of work dealt with memory and nostalgia, Bright Black World is more present/future focused. It’s a small part Mad Max bleakness, part On Walden Pond lush stillness.
January 20. 1/20. 120 Day! As mentioned earlier, I decided to shoot a roll of 20 year old Konica SRG-3200 in the Holga for 120 Day and figured I needed a safety: a fresh film and a camera with the ability to focus, set exposure, and a reasonably sharp lens. The Yashica-Mat 124 was an …
