The Rikenon 40mm f/2.8 is one of my favorite lenses. It’s sharp enough, with good color transmission and not too much vignetting, and I love the field of view: it’s never too wide like a 35mm can sometimes be, and it’s never too tele like a 50 sometimes is (especially if you shoot with a …
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“Yashica” MF-1 first (and only) roll review…
Yes, I backed the “Yashica” Absolute MF-1… Am I proud? Well…
1970s Ricoh Compacts, part 4: the Sears 35|RF
The Sears 35|RF (not to be confused with the Sears 35rf) is a black only, Sears-branded clone of the Ricoh 500 G. This is the camera that started it all, it being the superlative 40mm f/2.8 Rikenon.
1970s Ricoh Compacts, part 3: the Ricoh 500 ME
The Ricoh 500 ME is the last of the line, with all of the advancements of previous models, and all of the bells and whistles Ricoh could cram into it, while still being pretty much the same fixed lens, shutter priority rangefinder that started the line.
1970s Ricoh Compacts, part 1: the Ricoh 35 ZF
The Ricoh 35 ZF is a zone focus, shutter priority (and full manual) 35mm camera from 1976. With a 40mm f/2.8 lens, shutter speeds from 1/500 to 1/8 (plus B), and an ISO range of 25-800, there isn’t too much to worry about: set the shutter speed (1/250 or 1/500 in daylight), put the aperture …
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Enter the Zero Image 6×9
This is my Zero Image 6×9 Back to Nature edition pinhole camera. There might be some others like it, but this one is mine…
Apples and Errors
I got off work yesterday at 2:30pm and arrived home by 3:15 or so. I had a very brief nap, shot a quick unboxing video of the SP-445 and had it posted by 5:15. By 6:15, I had two negatives drying in the shower and was changing clothes to go mow the lawn. I expected …
