“Loose Shingles” is a B-Sides Box Set of outtakes, alternate takes, and other otherwise unpublished images from Ed Templeton’s archive. The B-Sides Box Sets are interesting things, sort of a cross between a portfolio of prints and a box of baseball cards. I’ve lumped them in to my “Photobook” category, but they’re really not books […]
Back in High School, and for some time thereafter, off and on, I sported a sort of abbreviated version of Liberty Spikes, colored in a shade of purply-red called “Bodacious Burgundy.” The effect was somewhat subtle, alternating between preppy and mildly punk, just enough to get occasional looks of curiosity or disdain, but not enough […]
It’s beautiful here, isn’t it… was the first book published on Ghirri in the United States. It appeared in 2008, and I found my way to Ghirri in 2016, I think, maybe thanks to Teju Cole’s article in the New York Times Magazine, following an interview I heard with him on the Magic Hour podcast (and saved for later […]
By all rights, these two books should be reviewed separately. Sadly, though, they arrived in the same box and I unboxed them together, so here we are. Kodachrome is MACK’s 2013 reprint of Ghirri’s 1978 classic. From what I understand, it’s a facsimile of the original, albeit with the inclusion of a pamphlet containing a […]
What can I say about the first lifetime retrospective of Joel Meyerowitz’s work, with comments throughout by Meyerowitz himself? If you’re the least bit aware of Meyerowitz and his practice, you probably know something about his trajectory, from 35mm street shooter to 8×10 landscape and still life, and Where I Find Myself has it all.
Several years ago, I took a screengrab of a photo for my ‘Inspiration/To Try’ collection. I’ve returned to it many times, wondering how to get the light, the focus, the blur. I had no idea who took the photo, and at the time, I really didn’t care. It’s a portrait of an older man, close […]
Jo Ann Walters’ Wood River Blue Pool is a collection of her photographs of mostly women and girls, photographed around Alton, IL and all up and down the Mississippi river, mostly in the late 1980s and early 1990s. It comes with a companion volume, Emma Kemp’s Blue Pool Cecelia, a wonderful meditation on violence and the Blue […]