Bill Sullivan – ‘Pure Country’

I’m (mostly) a color (hack) photographer. I appreciate the fun colors of (some) expired film, of Lomography’s Purple stock, but not of Psychedelic Blues so much, and I’ve long wanted to try Tri-Chromes (or whatever it is where you take three b/w photographs with r/g/b filters on the front and combine them in the darkroom …

Nathan Pearce – ‘High and Also Lonesome’

After hearing about, and subsequently purchasing, ‘Midwest Dirt,’ I’ve been a fan of Nathan Pearce‘s work. I’ve picked up a few over the past couple of years, too many to link to, and his use of an Action Sampler-type camera for one zine continues to inspire. So when I stumbled across a new Pearce zine, …

Rachel Filler – ‘Do I make you happy more than I make you sad?’

Rachel Filler‘s Do I make you happy more than I make you sad? is a sort of celebration of youthful friendship and relationships. In the faces and gestures, I see some of the exuberance and wonder I felt, like, 20 years ago, and I simultaneously miss that feeling and am glad to be beyond it …

Joel Sternfeld – ‘On this Site’

On this Site: Landscape in Memoriam is best summed up, in my mind, with a quote from Sternfeld himself. In his Afterword, on going to Central Park (in 1993) to photograph the spot where Jennifer Levin was strangled (in 1986), he writes “It was bewildering to find a scene so beautiful . . . to …