Melvile Library Gallery, Stony Brook University, October 31 – November 11, 2007 “I’m not scared” the constant refrain of countless Halloween revelers as they travel from horror film to haunted house to trick-or-treating in local neighborhoods made spooky with cotton cobwebs, inflatable ghosts and goblins, and plastic witches and headless horsemen with burning red eyes. […]
Melvile Library Gallery, Stony Brook University, October 18-31, 2006 Must art tell a story? Must there be a clear narrative in a work of art? K. Grumstrup’s exhibition, ‘people make tings here’ seems to answer these questions with a resounding ‘no’. Each of the works appears to be capable of telling a story, yet none […]
Melvile Library Gallery, Stony Brook University, September 21 – October 1, 2006 ‘Corrosion’ is a great title for this show of recent sculpture by Alton Falcone. Filling the gallery are a dozen sculptures of various sizes, some rest on the floor, or on a pedestal or shelf, and others hang from the wall or ceiling. […]
Melvile Library Gallery, Stony Brook University, September 10 – 18, 2006 The gallery is completely dark. At first, the experience is purely auditory: an ambient chord progression, a fetal heart beat, and faint, scattered voices speaking intermittently in various languages. As eyes slowly adjust, we begin to discern the composition of the space. There are […]
The Mario Veda, a series of works executed between March of 2004 and May of 2006, illustrates what I believe to be an evolution in my intellectual and emotional development, and may represent some of the self knowledge I gained while living in Springfield, Illinois. Initially a reference to a set of characters from video […]
Here (and in no particular order) you’ll find a bunch of random stuff—early work, academic paintings, and a few prints—that didn’t really fit anywhere else.
Wax On/Wax Off: a method of practicing a particular punch blocking technique, developed by the fictional martial arts master Kesuke Miyagi; also a series of paintings I executed in June and July of 2005. I silkscreened wooden panels and then covered them with encaustic (a mixture of oil paint or construction chalk, beeswax and paraffin). […]