On April 18, 2015, following the death of Freddie Gray at the hands of Baltimore police, residents took to the streets to petition the government for a redress of grievances. Devin Allen was there, with his camera, capturing life in his West Baltimore neighborhood before, during, and after the Baltimore Uprising, and A Beautiful Ghetto is …
Tag Archives: unboxing
David Freund – ‘Gas Stop’
David Freund‘s Gas Stop: the Gas Station in American Life and Landscape: 1978-1981 was a long time (and a lightning strike) in the making. He made the photographs over a 3 or 4 year period 40 years ago, and only a chance, fairy-tale-type meeting with Gerhard Steidl brought the project to light, in the form of an …
Jason Lee – ‘A Plain View’
A Plain View is a new-ish body of large format photography from skateboarder cum actor cum photographer Jason Lee, shot over 3 months (25 days of shooting) on a 5000 mile tour of Texas. If information in Will Gillham’s Afterword, “On the other side of everywhere else,” is correct (and I have no reason to …
Jacob Aue Sobol – ‘With And Without You’
With And Without You is a retrospective/best of book of photographs by Jacob Aue Sobol, featuring selections from four published projects—Sabine, The Gomez Brito Family, I, Tokyo, By the River of Kings, and Arrivals and Departures—and three unpublished (at time of publication) projects—Home, America, and Road of Bones. If you can’t find (or afford) the published projects, and want to see …
Mary Ellen Mark – ‘on the Portrait and the Moment’
Mary Ellen Mark on the Portrait and the Moment is the most recent (last?) volume in Aperture’s Photography Workshop Series, and was published in 2015, shortly before Mark’s death. As with other volumes in the series, it’s full of wisdom, acquired through decades of professional photographic practice, and for under $30, probably about as close as I’m …
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Larry Fink – ‘on Composition and Improvisation’
Larry Fink on Composition and Improviation is the second (I think) volume in Aperture’s Photography Workshop Series,* the second one I acquired, and didn’t initially find much it in to apply to my own practice. But after spending a few months with it, I find some of his ways of looking keep popping into my head …
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Stephen Shore – ‘Stereographs: New York, 1974’
In 1974, Stephen Shore, always ready to explore new photographic tools and techniques, acquired a Stereo Realist camera and began exploring “the puzzle of how to most effectively translate the real world into a successful “3-D” image given the particulars of the technology. ‘I was interested in seeking out situations in which the camera was doing …
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