Inge Morath – The Road to Reno

In 1960, Arthur Miller, at the urging of producer Frank Taylor, contracted with Magnum to make some publicity shots during the filming of The Misfits. Inge Morath was one of the nine photographers invited, and she took the opportunity to take a long road trip with her colleague Henri Cartier Bresson and her typewriter. The …

Emmet Gowin – ‘Mariposas Nocturnas’

Mariposas Nocturnas: moths of Central and South America: a study in beauty and diversity was Charcoal Book Club’s photobook of the month for April, 2019. Once again—and it’s done it many times before and since, and hopefully for many months to come—Charcoal sent me something I wouldn’t have acquired on my own, and am happy …

Amani Willet – ‘A Parallel Road’

Amani Willett‘s A Parallel Road is one of the most important books/zines I’ve had the privilege to purchase in a long time. I’m not sure where I heard about it, and big thanks to who/whatever alerted me to it. Before we go any further, do yourself a favor and go buy a copy now. It’s …

Aaron Schuman – ‘Slant’

When I first heard of Aaron Schuman’s Slant, my first thought was “Emily Dickinson… Rebecca Norris Webb” and I preordered it straight away. (Yes, I have a problem.) A couple of months passed and Mack emailed to say that they were nearly sold out so I quickly ordered it, as to not miss out. From …

Keith Carter – ‘From Uncertain to Blue’

Many years ago, when I first got interested in photography (again), when Ted Forbes’ podcast was still published through iTunes, Forbes did a piece on Keith Carter. I’ve kept an eye out for one of Carter’s books ever since, but until January 2019, I’d only ever seen Ezekiel’s Horse, and wasn’t particularly interested in that …

Alan Huck – ‘I Walk Towards the Sun Which is Always Going Down’

More the the longest and most unwieldy title for a photobook ever, Alan Huck’s I Walk Towards the Sun Which is Always Going Down is his partially fictional chronicle of some amount of time spent living in and roaming around Albuquerue, NM, turned into a sort of novelistic meditation on place and photography.

Anne Golaz – ‘Corbeau’

I found Corbeau, Anne Golaz’s portrait of her dairy farming family in eastern France, thanks to Jörg Colberg, and picked it up during a period where I fantasized about making a book sort of like it, something combining text and image to create something greater than either could be on its own. Colberg praises it …