365.260 Closer… Actually, too close.

In my quest for the droplet shot that every photographer absolutely must have, I’ve been closer than this. In fact, I had a perfect one today, with the stem rising up to meet the drop; with the drop itself hovering several millimeters above the stem. Alas, the drop was not in focus.

Since I’m shooting slightly down on the scene—actually, close to 35 degrees down, if the Manfrotto geared tripod head is to be believed—the plane of focus is angled out and away from the the drops and stems and ripples. Getting everything in focus is impossible (though I could get closer with a narrower aperture and higher ISO to keep the flash power at a drop-catchable 1/32nd or faster). And since I can’t aim the spray bottle with any real accuracy—I’m gently squeezing the trigger on the cat punishment device to create the drips—or really time the drops, framing and focusing becomes extremely hit and miss.

But I got closer today, and I have some ideas of how to get even closer, so GoGo.

Any bets on me getting the shot before I get a proper eye dropper? Any suggestions for different things to try? Any tips, maybe?

Thanks in advance!

D7000. Vivitar 70-210mm f/3.5 Series 1 (Kiron), in Macro Mode. ISO100, f/8, 1/250th. SB-700 zoomed to 60mm at 1/32nd, fired behind and across the scene.

365.259 the Miracle(s) of Jury Duty

First, I must apologize. I made no attempt to make a good picture for the 365 today, nor did I attempt to learn anything new about making pictures.

Second, I must apologize again, because this post will be rather lengthy. Given that few of you read my posts anyway, the uninspiring picture is unlikely to illicit much reading, and if you do read it all, it’s unlikely to provide much.

Third, the Jury Trial is a sacred institution, designed to protect common people from tyrants. This sacred trust is under constant attack from the rich and powerful (not to mention judicial overreach), and we must protect it.

Now, on to my observations.

1) There were about 30 people in the Jury waiting room. We were there from 1pm until 3:53pm, and many of us were there far longer. (I arrived at 12:10, and there were people already waiting.) Until the arrival of the cheerful bailiff to tell us that there was a good likelihood we would all be sent home early, there was absolutely no chit chat: the triumph of the introverts.

2) there was absolutely no visible security, the bailiff was rarely to be seen, and spent most of the time in some other part of the building. Imagine the havoc 35 people could wreak if so inclined! And, similarly, no one tried to sneak out early.

I almost commented on both of these aloud, but stopped myself, probably for the same reasons there was no chit chat and no havoc-wreaking.

Now, to my comments.

A) This was a jury summons for municipal court in the City of Dallas. That means, the trials all concerned traffic violations (under $200), class ‘C’ misdemeanors (under $500), code violations (under $2000), and rare cases of civil trials valued less than $2000.

[During the Congratulations on Being Selected as a Juror, Valued Citizen welcome video, the Municipal Judge, the Honorable What’s-his-Name, specifically mentioned Red Light Cameras and Water Restrictions (there are restrictions on when and how you may water your lawn in TX, and many other locales).]

They run two shifts of trials per day, 8 dockets, 80-90 trials per docket. That’s roughly 1,300 trials per day, and they call 70 people to serve as jurors for those trials.

That’s a fairly low turnover rate.

B) Take a look at the furniture and other accoutrement in this drab space.

If you removed the flags (or shoved them into a corner), you’d have a for-profit university lecture hall or megachurch meeting space or a community center multipurpose space.

If you removed the rows of chairs, dais, and flags, and if you added many more cubbies, you’d have an average office space.

What is this setting supposed to evoke?

Awe in the power and processes of the legal system?
Confidence in your powers as a Juror, in the Judicial system itself?
Comfort in the familiarity of the objects, materials, colors, and their arrangement?

Did anyone consider what this setting might evoke when they constructed it in this way?

The Patriotic part of me is dismayed by the soul-crushing dullness of it.
The Communist part of me is overjoyed in the proletarian-ness of it.
The Philosopher in me wants to go far deeper into all of this.
The Art Historian in me wants to take the conversation in a different direction.

Believe me, I could go on.

But I won’t. Kudos if you’ve read this far!

One last thing (largely unrelated): given that the iPhone 5 was announced today, I think it’s appropriate that I submit an picture from the iPhone 4, the camera that got me interested in making pictures in a serious manner. And I believe today marks roughly the second anniversary of my iPhone. Nice.

iPhone 4. 645 Pro. ISO200, 1/15th, f/2.8 (all controlled by the app). Minor tweaks to bring the image closer to my memory, and a tiny bit of straightening to bring the flag vertical.

365.258 bloom

Bloom? Yes.

1) To me, this looks like a divot in a piece of bulletproof glass, or that glass with the wire all through, and ‘bloom’ is a (informal) synonym for blemish, which is a synonym of divot and pock, which this also sorta looks like to me.

2) This also has some semblance of a flower, sort of, though this a much more tenuous relationship than it has to divots, pocks, and blemishes.

3) One of these days, I’ll bloomin’ capture a bloomin’ drop properly.

But not today…

I got one that was perfect: the drop suspended in midair, the perfectly circular ripple, the backwash rising up from the center… Unfortunately, it was completely out of focus.

I got a couple that were closer, but none looked as good as this one, and none had the groovy shadow/reflection thing going on like this one.

I will keep trying until I get the obligatory droplet shot, and I will try to get some decent splash shots one of these days, but not today.

Good thing: I think I got the lighting pretty close to right, and I was really excited, thinking that I’d learned something new today… Alas, I had the lighting right from the beginning, thanks to Alex Koloskov, who I’m not going to plus mention, because I’m sure he’s seen (and discarded) hundreds of shots like this.

D7000. Vivitar 70-210mm f/3.5 Series 1 (Kiron), in Macro mode. ISO100, 1/250th, f/3.5. SB-700, zoomed to 70mm, at 1/64th power, fired laterally behind the pie pan (speaking of pie pans… I need to get a proper splashing dish.) (And an eye dropper.), and triggered via two Cactus v5 triggers. Cropped down by about half, and treated to about 3 minutes of slider play in Aperture.

365.257 Grand Opening

Well, I had an idea to write up a long thing about finding some stills from a newsreel in some boxes and discovering some footage of the grand opening celebrations for the Chrysler building or something, but I decided that would be sorta lame.

So I’ll be straight with you instead.

This is a guitar in desperate need of a good smashing cleaning.

My Grandfather (I think) bought this for my mom in the late 1960s from the Sears and Roebuck, or maybe from the Montgomery Ward’s.

It’s a Norma acoustic and at last check it would fetch about $0 on ebay.

The neck is warped (and probably was before I was born), and I have doubts that any amount of truss rod tweaking will ever pull it straight, if it even has a truss rod.

Plus, it’s twisted too…

The action is “finger-shredding high,” which is likely why no one has played it seriously since I was born.

But it has floated around Momma’s house and now my apartment for all this time.

If the apocalypse or revolution or end of days or somesuch comes, it’ll make for some nice firewood… and in the mean time it would probably be put to best use as decoration in one of those family restaurants with “a whole lotta crazy crap on the walls,” to borrow a phrase from Moe.

It makes a nice picture, though…

D7000. Vivitar 70-210mm f/3.5 Series 1 (Kiron), in Macro Mode. ISO800, 1/25th (APmode), f/3.5. About 4 minutes of slider play in Aperture to give it a bit of age, like a hand-tinted newsreel.

365.256 (wish I could) turn this sometimes

After coming across several beautiful pictures by Gheorghe Chesler—shot with various Nikons and featuring his Sigma 150mm f/2.8 Macro—over on Google Plus yesterday evening, I found myself lusting after a proper macro lens… But I reminded myself: no new gear until I finish the 365.

So I looked over the gear I do have, and pulled out the Vivitar 70-210, which is the closest thing to a 150mm macro that I have, despite being not particularly close, given that it’s a fully manual zoom lens, without OS or fancy 21st century coatings, that gets to 1:2.2 at best.

But the Vivitar is a fabulous performer, especially since it cost me a whopping $36, shipped, and I don’t use it near enough. Sure, it’s heavy (but ~250g lighter than the Sigma 150). Sure, the focus is backwards (I get used to it after about 3 minutes, once I remember that it’s backwards…). But it’s sharp (not that you can tell from this, as it’s defocused deliberately), and has good color rendition and contrast, with a warmth or something that seems to be missing from many modern lenses with their fancy coatings and all.

So here we have the strangely dented doorknob to the apartment’s front door, showing the fantastic color rendition and brilliant bokeh provided by the Vivitar, the rather nice grain from the D7000, and my ability to handhold long, heavy lenses…

D7000. Vivitar 70-210mm f/3.5 Series 1 (Kiron), in Macro Mode, at pretty close to maximum. ISO1600, 1/40th (APmode), f/3.5. Post processing included Aperture’s built-in RAW conversion and a resize/export to jpeg, so this is not quite Comin’ Straight Outta Camera, but pretty much as close as I’m going to get.

^and I do get out some, but never without a purpose: going to work, going to the grocer, going to visit someone, etc., and I really want to work on breaking this anxiety I feel about venturing out into the world without an explicit reason or purpose. I’m not sure why I can’t just go for a walk, but I can’t, unless I have a buddy (and then there’s a purpose: going for a walk with a buddy). I doubt this makes much sense to you; it makes no sense to me.

365.255 there ain’t no flare like some iPhone flare

The title pretty much says it all. After pretty much surfing the interwebs all day, I shot this in Momma’s backyard while waiting to take her for a cheap dinner. I wanted to play with the tiny focal length and try to get some weird blurring, but ended up being focused on (and exposing for) strange spots due to being out fo practice. Maybe I should take one or two days a week to be iPhone days…

iPhone4. ProCamera. Exposed for a spot that was some leaves when I selected that point, but was roofline when I triggered the ‘shutter.’ Minor straightening and a bit of processing to bring out the brilliant rainbow flare.

365.254 Abstraktes Bild

Well, I spent 2.5 hours playing with the zoomy flashy thingy, but didn’t get anything worth sharing, and didn’t find anything new, so I whipped out the old standby: the Abstract Picture.

Woo.

D7000. Nikon 75-150mm f/3.5 Zomb-E Series. ISO100, 1 second (APmode), f/3.5. About 2 minutes of slider play in Aperture to bring out some definition and add darken it up a bit.