In the last week of testing/playing with Olympus C-5050, again with the “macro” filter.
There’s something about this that feels very 1970s to me. I’m not sure what it is. Maybe the slightly desaturated color, maybe the mix of browns and blues, with just that hint of purple and orange, maybe the slightly off-kilter composition. Continue reading “Hair Studies, part 4 (1)”
I picked up a toy to add to the fun I’ve been having with the Olympus C-5050: the Vivitar HD4 MC AF High Definition 0.43x Wide Angle Converter W/Macro. I’m pretty sure it was designed for security cameras, but add it a 41–>52mm filter adapter designed to screw onto the front of the Oly, and *poof!* you have a wide angle lens (not yet played with) whose front element unscrews to reveal a reversible macro lens.
Here we have examples taken with each of the “Macro” settings I now have available:
As you can see, the plain old Macro focus isn’t particularly Macro. At 20cm closest focus, on the 1/1.8″ sensor (7.18mm x 5.32mm, a bit less than 1/3 the size of the sensor on the D7000, and just slightly smaller the 10mp sensor on the LX7), the field of view is way to large to call ‘macro’ in any sense of the word.
But the Super Macro is a bit closer, something like 1:4. The macro filter doesn’t add much, sadly, and does introduce a bit of softness that might be fun to exploit in some contexts, but would be mostly distracting in others.
Again: Fun Times. Continue reading “Closer”