For The American Monument, Lee Friedlander turned his attention to public monuments, photographed in situ (sometimes more situ than in), with all of our forgetting, misremembering, and disregard fully on display. Thousands of negatives, shot over a 12 year period, were edited down to 213, presented singly, or in groups of 2, 3, 4, 5, 6, or 9, and …
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Jeffrey Saddoris‘ Photography by the Letter is a lovingly designed dictionary of all things photography, from Aperture to Zoom Lens, with all kinds of stuff in between and a set of interviews with well-known professionals at the end.
The Street Philosophy of Garry Winogrand is Geoff Dyer‘s new-ish homage to John Sarkowski, whose Atget and Looking at Photographs form the jumping off point for Dyer’s exploration of the Winogrand archive. As a Winogrand monograph, it might fall a bit short, though it does include 18 previously unpublished color(!) photographs and a contact sheet from Winogrand’s …
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Michael Watson’s The Wrestlers: Polaroid Portraits 2015-2018 collects a bunch of Polaroids (or, really, Impossible Project black frame black & whites) of amateur wrestlers, shot backstage at various events in Chicago and the Midwest, California, and Florida, in costume/character and more relaxed. I helped to kickstarter it back in January 2018, and it arrived in my …
I acquired Mahtab Hussain’s You Get Me? as part of a Contact Sheet subscription renewal. Copublished by Mack and Light Work, the book is beautifully printed,* and the project itself—portraits of young, working class British Asian men and boys—is hard for me to talk about with any clarity.
YouTube originally set this video as Private, claiming its content (a collection of images from Magnum Photographers of the Middle East over the last 50 or 75 years) might be disturbing to some viewers. I think this was auto-set because I included the subtitle in the video title or description… Magnum Chronicles 01: A Brief …
Cory D. Scholes’ ‘Don’t follow me home’ zine has an interesting backstory…
